Back in 2009 I was the assistant editor on Feel Your Heart Race, a documentary about NASCAR directed by Doug Pray. Doug also happens to be a fantastic editor, and cut the half-hour show. This is a screenshot of the audio breakdown I made for the sound mixers: dialogue, sound effects, nat sound, and music were all separated and spread over 40+ tracks. There was something about the complexity and huge number of tracks that I found compelling. For an assistant editor, it’s akin to modern art or architecture: every piece in its precise place, telling a part of the story.
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Back in 2009 I was the assistant editor on Feel Your Heart Race, a documentary about NASCAR directed by Doug Pray. Doug also happens to be a fantastic editor, and cut the half-hour show. This is a screenshot of the audio breakdown I made for the sound mixers: dialogue, sound effects, nat sound, and music were all separated and spread over 40+ tracks.

There was something about the complexity and huge number of tracks that I found compelling. For an assistant editor, it’s akin to modern art or architecture: every piece in its precise place, telling a part of the story.

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  1. dmcondolora posted this